Music Technology A-Level for Cubase 9 includes all the useful information from the previous versions of the book, but it has been revised to suit new features and workflows within Cubase 9, including Sampler Tracks, Media Bay and the vastly improved window management, plus the transition to 64-bit only. It still includes the information from the previous versions – use of Chord Tracks, Chord Editing and Chord Pads all explained in practical ways that will improve your sequencing, arranging and composing. If you’re not studying at A-Level, then consider the sister publication which has all the same content, except for the A-Level specific information.
The book is available from lulu.com, and costs £24.95. Contact me for discounted pricing if you want to order 3 or more copies and are in the UK. Lulu fulfils printing locally in the UK, USA, Australia and in several European countries, so often postage costs will be local rather than International.
Download a sample chapter from the book here.
Music Technology using Cubase 9 is a practical guide for students using Cubase to complete the Edexcel A-Level Music Technology syllabus, but will also give a solid grounding in a wide range of areas and techniques for anyone who wants to work with Music Technology.
The 602-page textbook takes the reader from the first steps with Cubase, through to being capable of producing sequences of high quality with an in-depth look at detailed programming techniques and understanding the way instruments are played and perform to allow more accurate sequencing.
A second topic area of the book is the examination of music theory and arrangements, topics which usually strike fear into the heart of most people working with Music Technology, but everything included in the book is intended to be useful in a practical scenario, and to allow the reader to make their work more interesting by using simple, practical tips which can be applied in a wide range of situations.
The book also explains a number of important concepts, techniques and devices in the sphere of audio, and gives a good primer to understand and make use of various different kinds of microphones in the studio.
The final area is a practical approach to recording, from simple initial recordings right through to complex multi-track recordings, with effects and automation applied to create professional-sounding recordings with bit-perfect mixdowns.
While some of the specific sequencing techniques included in the book apply solely to Cubase (such as the use of the Logical Editor), much of the book works in general terms and would be applicable to any sequencer platform.
In most chapters, exercises are suggested to allow the reader to practice their new-found knowledge in a directed manner, and to gain confidence as a result.